NNNNNNNNNNNN was Noah Emanuel Morrison’s first solo show, and it considered how and where racist language became camouflaged within the city. The exhibition drew attention to the contemporary phenomenon of the NGR/S/Z series of graffiti, present throughout Tallinn. Walking around as a Black, queer-identified individual, I was deeply affected by these. Reactive and self-reflective, the works veered from research-informed to quotidian in their interventions into Tallinn’s racialized public space.